From the beginning until the end of the film, without using words. The closing sequence of the 1968 film 2001: A Space Odyssey, which has been researched and plotted out, completes the circle initiated in the film’s first scene. As a visual storyteller, Stanley Kubrick prioritises images above words in his works. It’s worth noting that Stanley Kubrick commented in response to a query about his 1968 film 2001: A Space Odyssey, “It’s not a message that I ever seek to express in words.” Seeing the film is a “nonverbal experience.” There are no words or speech throughout more than two-thirds of the film. The switch panels, display systems, and communications equipment for the spacecraft interiors in the film were designed by Kubrick’s team of astronomical artists, aeronautics experts, and aerospace engineers to create the highest level of technical realism. The sets in “2001: A Space Odyssey” had to keep up with technological advancements, or the design vision would come off as antiquated and incorrect. It’s crucial to remember that NASA was working feverishly to simultaneously send a man to the moon as Kubrick and his crew designed the future’s appearance. In addition to making the sets appear realistic, his main objective was to foresee future technological advancements. He sought to create a unique space-age world for “2001.” Kubrick determined he wanted a more realistic design approach after looking at the sets from earlier science-fiction movies from the 1960s. Kubrick was renowned for his meticulousness and attention to detail.
#2001 a space odyssey movie movie
Outstanding movie sets can influence fashion, architecture, furniture design, and worldwide culture in addition to production designers and set designers.
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