>What would be the way to deal with the full blue/green room (lighting wise)?.
Just remember to have the blue screen about a stop over exposed compared to your key light on the subject to give as much separation as possible(opinions would probably differ on this). You might not even need light if you have the right weather conditions. If you have the money and the room go for a mini/maxi brute that would give you punch and evenly spread light. So it depends on your location and the weather conditions. I didn't quite understand weather outside the window meant in a studio or outside a studio.The Important thing for blue screen is that it should be as flatly and as evenly lit as possible. What is the deal with Marker points on the green/blue screen for "Post Area Replacing"Īnswer's/comments to any of these will be much appreciated. What is the ideal stop ratio between the key object light to the blue/green screen? Is there any preference to use Blue or Green aside from avoiding color components that exist in the object. How do you deal with Blue/green spills on the objects. What are the lighting implications on the objects? How do you deal with BackLighting the object (if there is anything special there in terms of separation from the background)? What would be the best way to light the blue/green screen out side the window? What would be the way to deal with the full blue/green room (lighting wise)? Which lighting units do you prefer for lighting the screen. The other one is Video (DVPRO, Beta SP or DigiBeta) and in that case it is more comprehensive work in terms of different locations, full environment blue/green room. Now, I'm facing two shoots, one is 35mm shooting a room and thinking of hanging blue/green screen on the out side (Studio) and replacing it later with something else. The thing is that I couldn't make many conclusions from that shoot. I have had some experience in the past in lighting a blue room, footage that was shot on 16mm and was manipulated later on with "Henry". All Camera and Lens evaluation from 2000 onwards.
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